Garden Bloggers’ Bloom Day – May 15, 2013

Foxglove, Hosta, and Clematis are the stars of my garden in May!

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  • Clematis (asurreygarden.wordpress.com)

Guerilla Gardening

Reblogged from The Garden Diaries:

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If guerrilla gardening hasn't hit your radar yet, read this post!  I have been hearing about it in bits and pieces over the past couple of years and vaguely knew that there was a movement afoot called "Guerrilla Gardening" but really haven't paid much attention. That changed when I started seeing pictures of people with shopping carts in the dark planting bulbs! 

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Poetry Month – Edgar Alan Poe’s “The Raven” – As Performed By The Simpsons

Yes, yes, I know, but this MUST be shared!

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door—

“‘Tis some visitor,” I muttered, “tapping at my chamber door—

Only this and nothing more.”

 

Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow;—vainly I had sought to borrow

From my books surcease of sorrow—sorrow for the lost Lenore—

For the rare and radiant maiden whom the angels name Lenore—

Nameless here for evermore.

 

And the silken, sad, uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

“‘Tis some visitor entreating entrance at my chamber door—

Some late visitor entreating entrance at my chamber door;—

This it is and nothing more.”

 

Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you”—here I opened wide the door;—

Darkness there and nothing more.

 

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, “Lenore?”

This I whispered, and an echo murmured back the word, “Lenore!”—

Merely this and nothing more.

 

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

“Surely,” said I, “surely that is something at my window lattice;

Let me see, then, what thereat is, and this mystery explore—

Let my heart be still a moment and this mystery explore;—

‘Tis the wind and nothing more!”

 

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

Not the least obeisance made he; not a minute stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door—

Perched upon a bust of Pallas just above my chamber door—

Perched, and sat, and nothing more.

 

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore—

Tell me what thy lordly name is on the Night’s Plutonian shore!”

Quoth the Raven “Nevermore.”

 

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning—little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door—

Bird or beast upon the sculptured bust above his chamber door,

With such name as “Nevermore.”

 

But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

Nothing further then he uttered—not a feather then he fluttered—

Till I scarcely more than muttered “Other friends have flown before—

On the morrow he will leave me, as my hopes have flown before.”

Then the bird said “Nevermore.”

 

Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

Caught from some unhappy master whom unmerciful Disaster

Followed fast and followed faster till his songs one burden bore—

Till the dirges of his Hope that melancholy burden bore

Of ‘Never—nevermore.’”

 

But the Raven still beguiling my sad fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore—

What this grim, ungainly, ghastly, gaunt and ominous bird of yore

Meant in croaking “Nevermore.”

 

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

This and more I sat divining, with my head at ease reclining

On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet violet lining with the lamp-light gloating o’er,

She shall press, ah, nevermore!

 

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

Respite—respite and nepenthe, from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

Quoth the Raven “Nevermore.”

 

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

Whether Tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted—

On this home by Horror haunted—tell me truly, I implore—

Is there—is there balm in Gilead?—tell me—tell me, I implore!”

Quoth the Raven “Nevermore.”

 

“Prophet!” said I, “thing of evil—prophet still, if bird or devil!

By that Heaven that bends above us—by that God we both adore—

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels name Lenore—

Clasp a rare and radiant maiden whom the angels name Lenore.”

Quoth the Raven “Nevermore.”

 

“Be that word our sign in parting, bird or fiend!” I shrieked, upstarting—

“Get thee back into the tempest and the Night’s Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken!—quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

Quoth the Raven “Nevermore.”

 

And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon’s that is dreaming,

And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted—nevermore!

Poetry Month – W.H. Auden’s “Musee Des Beaux Arts”

“Musée des Beaux Arts” (French for “Museum of Fine Arts”) is a poem by W. H. Auden from 1938. The poem’s title derives from the Musées Royaux des Beaux-Arts de Belgique in Brussels which contains the painting Landscape with the Fall of Icarus, thought until recently to be by Pieter Brueghel the Elder,though still believed to be based on a lost original of his.

The painting portrays several men and a ship peacefully performing daily activities in a charming landscape. While this occurs, Icarus is visible in the bottom right hand corner of the picture, his legs splayed at absurd angles, drowning in the water.

The allusions in the first part of the poem to a “miraculous birth” and a “dreadful martyrdom” refer obliquely to Christianity, the subject of other paintings by Breughel in the museum that the poem evokes, “The Census at Bethlehem” and “The Massacre of the Innocents”. The “forsaken cry” of Icarus alludes to Christ crying out on the cross, “My God, why hast thou forsaken me?”

The Census at Bethlehem

The Census at Bethlehem

About suffering they were never wrong,

The old Masters: how well they understood

Its human position: how it takes place

While someone else is eating or opening a window or just walking dully along;

How, when the aged are reverently, passionately waiting

For the miraculous birth, there always must be

Children who did not specially want it to happen, skating

On a pond at the edge of the wood:

Massacre of the Innocents

Massacre of the Innocents

They never forgot

That even the dreadful martyrdom must run its course

Anyhow in a corner, some untidy spot

Where the dogs go on with their doggy life and the torturer’s horse

Scratches its innocent behind on a tree.

The Fall of Icarus

The Fall of Icarus

In Breughel’s Icarus, for instance: how everything turns away

Quite leisurely from the disaster; the ploughman may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the sun shone

As it had to on the white legs disappearing into the green

Water, and the expensive delicate ship that must have seen

Something amazing, a boy falling out of the sky,

Had somewhere to get to and sailed calmly on.

I'm getting rid of Imidacloprid - Avoiding the Worst Neonicotinoid Insecticides

Reblogged from Squash Practice:

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I'm often asked which products are OK and which should be avoided.  Hence the mnemonic in the title to help you remember I'm getting rid of Imidacloprid.  Say it three times out loud, and when you read the labels at the garden store you will remember:  I'm getting rid of Imidacloprid.

When it comes to insecticides, first ask yourself , do you really need them?  

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This is a great reminder of what pesticides are good, bad and downright ugly!

'Cliff' Beekeeping - Taking Beekeeping to a Whole New Level

Reblogged from Global Beekeeping:

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Here are some beehives that may touch upon not just one, but two, major phobias of normal folks - bees and heights. These villagers in China decided to combine the two!

Pictures and text (translated from Chinese) published by and property of China Daily:

Located in Shennongjia, Hubei Province (central China), at the gate of a mountain, on a cliff 1200 meters above sea level, 700+ beehives hang on the face of a cliff.

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Beautiful Beehives of the Day!

The Full Pink Moon

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The March 2013 full moon will be out all night on March 26, shining in front of the constellation Virgo the Maiden. 

The moon turns precisely full on March 27 at 9:27 Universal Time (4:27 a.m. CDT in the central U.S.). In North America, that means the moon reaches the crest of full phase in the wee hours before sunrise on March 27. But no matter where you live worldwide, watch for the brilliant lamp of the full moon to light up the nighttime from dusk till dawn. Look for the moon low in the east at dusk – at its highest point in the sky around midnight – and low in the west before the sun comes up.

Photo credit: Aunt Owwee

For the Northern Hemisphere, this is the first full moon of springtime. We in this hemisphere call it the Pink Moon, to celebrate the return of certain wild flowers. Other names are Egg Moon, Sprouting Grass Moon, or Easter Moon. In most years, the Christian celebration of Easter falls on the first Sunday after the first full moon of the Northern Hemisphere spring. So tonight’s Easter Moon heralds the coming of Easter Sunday on March 31, 2013.

In the Southern Hemisphere, this is the first full moon of autumn. It’s the Southern Hemisphere’s Harvest Moon – the closest full moon to the autumn equinox. The Harvest Moon ushers in the year’s longest procession of moonlit nights, because the moon rises fairly soon after sunset for several nights in a row. If you live at middle or far southerly latitudes, look for the moon to shine from dusk till dawn for a few to several days in succession.

The first full moon to follow the March equinox faithfully shines in front of Virgo, the harvest goddess, to signal the change of seasons. Watch the March full moon shine all night from sundown to sunup.

The constellation Virgo. Image credit: Wikipedia